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Report from New Mexico

See my new Jazz Loft Project blog entry regarding my New Mexico trip this weekend.  Of particular note is the part concerning one of the most famous WWII photos made by Smith.  Under what circumstances could some negatives by a different photographer come into Smith’s possession?  Under what circumstances could Smith not be sure if the negatives were his?  Or, said differently, under what circumstances would he come into possession of somebody else’s WWII negatives and believe the might be his?

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