A funny thing happened in the green room before Eugene Richards and I went onstage.  He told me a funny story about a recent radio interview in which his interviewer kept harping on how his content is so sad.  He and I shared a laugh about it.  Then I told him a story […]

Sam is interviewed by The Paris Review‘s managing editor, Nicole Rudick.  The results offer an inside look at the making of Gene Smith’s Sink.  

Charlie Parker was born ninety-seven years ago today in Kansas City.  The date makes me think of my favorite jazz photograph, two versions of which are here, by Bob Parent.  The Open Door in Greenwich Village in September 1953.  Very few historic jazz photographs render the whole band.  For my money, this could be the […]

A conversation between Sam and novelist Allan Gurganus, to whom Gene Smith’s Sink is dedicated, published by Farrar, Straus and Giroux’s Works in Progress.

  A friend recommended this book because I’m currently working on an excavation project involving the year 1995 and this is Eno’s diary from that year.  It’s currently out of print.  Somebody like New York Review Books should consider republishing it.  I read a few pages every night and I find wonderful nuggets on every […]

This snapshot is by Momoko Gill, a drummer who was my interpreter in Japan in 2011 and who plays a key role in the parts of Gene Smith’s Sink related to Japan.  In town from London, she walked up to the building around 7:30 pm last night during a steady rain.

  This morning I was cleaning out some files and I came across these words from composer and pianist Matthew Shipp when he introduced my Deems Taylor / Virgil Thomson Award on November 17, 2015 at a ceremony put together by ASCAP in New York City.  The award was for my piece for The Paris […]

Here’s W. Eugene Smith’s stainless steel darkroom sink, custom made in the 1950s.  In 2012 I had it repurposed into a standing desk by metal artist Leo Gaev who made no changes to the original object.  Photos by Kate Joyce, March 2017.  (Gene Smith’s Sink).