Sam Stephenson

Blog


  • Feeling Nowhere

    Feeling Nowhere

    Last week the first result from my 15 months of research on the LA band Jane’s Addiction and late 1980s and early 1990’s culture at large was published by Affidavit.  This piece mostly concerns why I’m drawn to this subject.  It could be an Introduction or Chapter 1 of a book.  We’ll see.  I’m happy

    Continue reading

  • Interview on WFIU: Indiana Public Media

    Interview on WFIU: Indiana Public Media

    Last week WFIU Public Radio: Indiana Public Media broadcast a one-hour interview with me in their Profiles series.  I talked about some things I haven’t talked about much publicly before – my background in eastern North Carolina, my studies in Economics and the idea of value, parenting, and my new project on the LA band,

    Continue reading

  • 2019 Guggenheim Fellowship

    2019 Guggenheim Fellowship

    Word arrived this month that I won a 2019 Guggenheim Fellowship for my project on the rock band Jane’s Addiction’s original years 1985-1991 in LA and beyond.  I’m surprised and elated and grateful.  I’ve applied for that fellowship a half dozen times over twenty years.  I guess seventh time is charm.  Here is the Guggenheim’s

    Continue reading

  • What Wasn’t There: Gene Smith’s Sink in New Light

    What Wasn’t There: Gene Smith’s Sink in New Light

    A remarkable new essay about, in part, Gene Smith’s Sink was published this week by Affidavit magazine.  In “What Wasn’t There” London-based writer Emily LaBarge considers Sink alongside writers I revere including novelists Nathalie Léger, Lydia Davis, and Fleur Jaeggy.  In particular, Léger’s Suite for Barbara Loden is one of my favorite books of recent years.  I’ve read it three

    Continue reading

  • My Top Reading Experiences of 2018

    My Top Reading Experiences of 2018

    2018 was the year I dug deep into work of Susan Howe, spurred by this great piece by Emily LaBarge in BookForum.  I’m now using a line by Howe as an Epigraph for my new manuscript, Which Direction Home.  That line is: “I am an American poet writing in the English language. I have loved watching

    Continue reading