A conversation between Sam and novelist Allan Gurganus, to whom Gene Smith’s Sink is dedicated, published by Farrar, Straus and Giroux’s Works in Progress.

  A friend recommended this book because I’m currently working on an excavation project involving the year 1995 and this is Eno’s diary from that year.  It’s currently out of print.  Somebody like New York Review Books should consider republishing it.  I read a few pages every night and I find wonderful nuggets on every […]

This snapshot is by Momoko Gill, a drummer who was my interpreter in Japan in 2011 and who plays a key role in the parts of Gene Smith’s Sink related to Japan.  In town from London, she walked up to the building around 7:30 pm last night during a steady rain.

  This morning I was cleaning out some files and I came across these words from composer and pianist Matthew Shipp when he introduced my Deems Taylor / Virgil Thomson Award on November 17, 2015 at a ceremony put together by ASCAP in New York City.  The award was for my piece for The Paris […]

Here’s W. Eugene Smith’s stainless steel darkroom sink, custom made in the 1950s.  In 2012 I had it repurposed into a standing desk by metal artist Leo Gaev who made no changes to the original object.  Photos by Kate Joyce, March 2017.  (Gene Smith’s Sink).

Today Public Books published the latest collaboration between filmmaker Ivan Weiss and me.  It’s about the gentrification of downtown Durham, framed by a month of festivals.  This piece was long in the works, so we’re happy to see it out in the world. Many thanks to editor Ellis Avery for her persistent interest in our […]

I was flattered and thrilled to be asked by Jem Cohen to read the words of James Agee during Jem’s Gravity Hill Sound and Image performance last night at Big Ears.  Reading those words in Agee’s hometown, in the Bijou Theater that he no doubt frequented as a kid, was a privilege and one of […]

After a couple of years of radio silence here, what better way to return than by offering this photograph of Gene Smith by James Karales circa 1956. Smith is in his backyard in Croton-on-Hudson testing lenses for his large format cameras in preparation for commissions from the American Institute of Architecture. Smith’s son, Pat, who […]